Paolo Sorrentino Explores Beauty and Identity in 'Parthenope'
The filmmaker returns to Naples with a narrative intertwined with mythology and personal reflections.
Three years after the autobiographical film _La Main de Dieu_, director Paolo Sorrentino revisits his hometown of Naples with his latest film, _Parthenope_, a nuanced portrayal of femininity that also serves as an allegory for the city itself.
The protagonist, named Parthenope, refers to a siren from Greek mythology as well as the ancient name of Naples.
Sorrentino shared insights into his creative choice to depict the character as an anthropologist, allowing the narrative to traverse various facets of Naples, including its maritime influences, religious culture, and even its criminal underbelly.
The film is presented through Sorrentino's distinctive visual style, characterized by steady-cam sequences and a graphic representation of characters, delivering a sensory experience that is both subtle and impactful.
The filmmaker elaborates on his influences, citing an admiration for Peter Greenaway and the Coen Brothers, whose stylized approaches have significantly shaped his own cinematic language.
In _Parthenope_, Sorrentino critically examines the concept of beauty, a recurring theme in his work, including the Academy Award-winning _La Grande Bellezza_.
He describes beauty as a form of surprise, positing that film should possess the ability to astonish audiences.
He notes, "Beauty is not limited to faces or landscapes, but exists in everything that can touch us unexpectedly." This perspective is embodied in the character of Parthenope, portrayed by Celeste Dalla Porta, who exudes both strength and sensuality.
Throughout her narrative, Parthenope is drawn to the forbidden and the rejected, engaging with varied characters, including a disfigured woman and an obese priest.
Sorrentino suggests that life encompasses attractions to diverse individuals, enabling exploration beyond conventional norms.
The film is punctuated with moments of grace, such as a poignant scene featuring a trio dancing to _Era già tutto previsto_ by Richard Cocciante, which transitions the film from innocence to maturity.
Sorrentino's work remains embedded in his long-standing themes, such as the rich idleness of wealthy individuals, a fascination with beauty, and elements of vulgarity.
_Parthenope_ intricately dissects its heroine through close-up shots, portraying a visually lush narrative marked by complexity.
The film navigates an initiatory journey where Parthenope is encouraged to "let go," as audiences witness her evolution against the backdrop of the city’s storied landscape.